Markou, G. E., “The testament and household inventory of the painter Baldassare d’Anna”, in E. Mavromichali and I. Assimakopoulou eds, Proceedings of the Thomas Puttfarken Workshop I&II (Thessaloniki: University Studio Press), pp.121-33.
Markou, G. E., “Titian’s ‘Allegory of Prudence’ and Philip II”, The Burlington Magazine 165 (2023), pp.258-67.
Markou, G. E., “A drawing of Giambattista Albanese by Antonio Vassilacchi, called Aliense”, Master Drawings 60 (2022), pp.311-20.
Markou, G. E., “Jacopo Tintoretto, his heirs and the family enterprise”, The Burlington Magazine 163 (2021), pp.718-23.
Markou, G. E., “An early owner of a Virgin and Child by Giovanni Bellini: the testament of Hieremia Voltera”, Arte Veneta 77 (2021), pp.228-31.
Markou, G. E., “Taddeo Zuccaro and the Pucci Chapel in Santissima Trinità dei Monti, Rome”, Source: Notes in the History of Art 39 (2020), pp.241-51.
Markou, G. E., “The inventory of the Sadeler Venetian Printing shop”, Print Quarterly 36 (2019), pp.379-89.
Markou, G. E., “Negotiating Identity and Status: The silverware of the Cypriot nobles in Renaissance Venice”, in M. Olympios and M. Parani eds, The art and archaeology of Lusignan and Venetian Cyprus (1192-1571): Recent research and new discoveries (Turnhout: Brepols, 2019), pp.301-20.
Markou, G. E., “Bonifacio de’ Pitati’s ‘Triumphs of Petrarch’ and their Cypriot Patron”, The Burlington Magazine 159 (2017), pp.600-9.
Υπό δημοσίευση
Markou, G. E., “Review of ‘El Greco: Un pittore nel labirinto’”, The Burlington Magazine (February 2024).
Markou, G. E., “Caterina Tarabotti Unveiled”, Tracey Cooper ed., Women Artists and Artisans in Venice and the Veneto, 1400-1750: Uncovering the Female Presence, sponsored by Save Venice Foundation, (Amsterdam University Press).
Markou, G. E., “The Massacre of the Innocents and the image of pathos in Venetian Cyprus”, Charlene Vella ed., Dynamics of artistic interaction (Malta: Midsea books).
Markou, G. E., “Carlo Crivelli’s Madonna of the Passion and the lost church of San Sebastiano, Venice”, Source: Notes in the History of Art.
Σεπτέμβρης 2021 - Δεκέμβρης 2023
Leverhulme Early Career Fellow, University of Cambridge
Σεπτέμβρης 2019 - Δεκέμβρης 2021
Rome Fellow, British School at Rome
Σεπτέμβρης 2018 - Ιούλιος 2019
Hannah Seeger Davis Postdoctoral Research Fellow, Princeton University
2013 - 2018
University of Cambridge, Τμήμα Ιστορίας της Τέχνης
PhD στην Ιστορία της Τέχνης, Θέμα: “From Cyprus to Venice: Art, Exchange and Exile across the Renaissance Mediterranean”
2011 - 2012
University of Warwick, Τμήμα Ιστορίας της Τέχνης
MA στην Ιστορία της Τέχνης, Θέμα: “Venice and its Legacies”
2007 - 2011
Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών
Πτυχίο Αρχαιολογίας και Ιστορίας της Τέχνης